The Photo Challenge this week is to look at a subject from different angles. I’ve chosen a Horse sculpture that stands in Plaza Fountainside, Fountain Hills, Arizona.
This horse, a mare, is called Maytag Maltilda. She weighs 5,000 lbs, stands 9 feet tall and is 11 feet long. The fabrication artist is Dixie Jewett. In her workshop in Dayton, Oregon, Dixie pieces together bits of metal and garage sale finds to create one of a kind masterpieces.
To see Maytag Matilda at her best, click on one of the photos to open a slideshow. To close the slideshow, press your ES-Ca-pay button (or the tiny ‘X’ on the top left of the screen).
Ring for Service
Head showing sunglasses
People respond to her work, Jewett feels, not only because the sculptures look so amazingly lifelike and animated, but also because “they can identify with all the little bits. They’ve got stuff like that at home.” She vividly remembers the reactions of one couple. “The wife was amazed by how realistic and alive the horse looked. Meanwhile, her husband was up close to it and said, ‘Wow! A ’57 Chevy headlight!’”
– Norman Kolpas, Dixie Jewett – Horse Sense, Southwest Art –
The story of Dixie Jewett’s life is interesting, though difficult to piece together. The Southwest Art story referenced above is the most complete rendition of this remarkable woman’s life, but is a scant one page. I hope someone writes a more complete biography some day, because it isn’t often that an Alaskan Bush Pilot/renowned welding artist is a woman!
Do you have a sewing machine? What is the first brand name that pops into your mind when you think about the zigzag stitch? If you said Singer – that company developed a commercial zigzag machine in 1892.
The first patent on a zigzag stitch machine, however, was many years before that. Helen Augusta Blanchard filed a patent in 1873. Patent #141,987 describes the ‘Improvement in Sewing Machines’ as:
The present invention relates to certain new and useful improvements in sewing-machines, having for their principal object the forming of an overstitch that may be adapted to either fine or coarse work. These improvements also consist in a device, arranged and operated as will be duly described, for varying the depth of the stitch, so as to be used for fine or coarse work, and of a device for disconnecting the operation of my improvements to allow the ordinary working of the machine for its customary sewing.
She applied for another Patent in 1874, #152721, which she said was ‘akin’ to her first patent. Helen’s patents were for working machines. The model for the machine in her first patent is in the Smithsonian’s Museum of American History.
I see that the path of progress has never taken a straight line, but has always been a zigzag course amid the conflicting forces of right and wrong, truth and error, justice and injustice, cruelty and mercy.
– Kelly Miller –
For many years I subscribed to Ron Leishman’s Toonaday Digital Clipart. I have used many of Ron’s toons in my blog posts, as you can see in the following gallery. Ron is a fellow Canadian and Albertan (Alberta is a Province in Canada). Though I have never met him, I have traded emails with him on several occasions, and he has generously created several toons that I requested.
I sometimes combine several of his toons to illustrate my story and that makes me appreciate the immense variety of topics he has covered!
I didn’t appreciate how hard it is to draw until I tried to do it myself. It is one thing to be able to say, “Of course I know the difference between a pirate and a fire hydrant.” It is quite a different thing to remember enough detail about each to draw them well.
Which one is your favourite?
An Irksome at my door
SLIDESHOW: Click on any photo to open a slide show. Press your ‘es-ca-pay’ button to close the slide show.
Life is like a jigsaw puzzle but you don’t have the picture on the front of the box to know what it’s supposed to look like. Sometimes, you’re not even sure if you have all of the pieces.
– A Whack on the Side of the Head –
I finished a jigsaw puzzle while I was at the cabin last week. It was a difficult one, partly because the picture on the box was very small. Then there was all that sky, water, rocks and grass!
750 pieces and I was examining each one closely, looking for a certain shape or ever so slight colour variations. I was looking at the little picture, but wasn’t seeing the big one.
Even when the puzzle was done, I saw sky, water, rocks and grass – and a rider on a horse and some teepees – oh, and a rainbow.
Then I looked at it through the lens of the camera. Goodness, this is a picture of a wolf head! A very big wolf head. I sure didn’t see that coming.
The thing is, I should have known there would be a picture in a picture. The puzzle is from a piece of art by Bev Doolittle, and she is well known for the ways she uses context, design and pattern to hide images.
Every closed eye is not sleeping, and every open eye is not seeing.
– Bill Cosby –
I’m not the only one who sometimes misses the obvious, right? RIGHT?
Sun and shadow slice across the kitchen wall. The pillar above the sink is decorated with a figure called a Shmoo. Below it is a set of moose measuring spoons.
The Shmoo was a fictional animal created by Al Capp (not Andy Capp!) in 1948 for his classic comic strip, Li’l Abner. The Shmoo required no food itself, but was a perfect source of food for humans. It was a prolific breeder, so there were always enough of them to go around. Shmoos didn’t need any care. They dropped dead with just a glance from anyone who was hungry. In addition to being food, they could become just about any other product a person wanted.
Can you imagine the fate of mankind in a world where everything is free and readily available? Can you imagine the fate of the Shmoo?